Ben Goodman 2025-11-15 Ben Goodman 2025-11-15

True Document of a One-of-a-Kind Person: Now! More! Yes! Film Review

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Joseph Mastel 2025-11-14 Joseph Mastel 2025-11-14

Director Stephen Shimek on Raising the Stakes In Murder At The Embassy

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Alex Southey 2025-11-14 Alex Southey 2025-11-14

Modern Whore Is a Modern Documentary: Modern Whore Film Review

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Team Reverie 2025-11-13 Team Reverie 2025-11-13

What to Watch at CUFF.Docs Documentary Film Festival 2025

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Michaela Neuman 2025-11-11 Michaela Neuman 2025-11-11

Rediscover Time Masters on the Big Screen During GIRAF21

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Kenn Enns 2025-11-08 Kenn Enns 2025-11-08

Aaren Rackett’s Short Shaping a Dress Celebrates Self-Discovery

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Jess Arcand 2025-11-07 Jess Arcand 2025-11-07

Sydney Sweeney Delivers a Knockout In a Story About Battles Beyond the Ring: Christy Film Review

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Kenn Enns 2025-11-06 Kenn Enns 2025-11-06

Sofiya Iurkevych’s Hand-Painted Worlds Illuminate GIRAF21

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Joseph Mastel 2025-11-05 Joseph Mastel 2025-11-05

Inside The Phoenician Scheme: Martin Scali on Collaboration, Craft, and the Joy of Working with Wes Anderson

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Joseph Mastel 2025-11-03 Joseph Mastel 2025-11-03

Actor Jared Gilman Reflects on Moonrise Kingdom, Working With Wes Anderson, and His Burgeoning Career

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Joseph Mastel 2025-11-01 Joseph Mastel 2025-11-01

Filmmaker John-Michael Powell on Redemption, Revenge, And His Crime Thriller Violent Ends

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Kenn Enns 2025-10-31 Kenn Enns 2025-10-31

The End Is Only the Beginning: Director Stephen Cognetti Reflects on a Decade Inside the Abaddon Hotel, the Future of Hell House LLC

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Joseph Mastel 2025-10-31 Joseph Mastel 2025-10-31

Editor Sabrina Pitre on Crafting Tension, Humour, and Heart in Final Destination: Bloodlines

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Joseph Mastel 2025-10-30 Joseph Mastel 2025-10-30

Cut to the Heart: Brett W. Bachman on Crafting the Bloody Romance of Heart Eyes

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Joseph Mastel 2025-10-29 Joseph Mastel 2025-10-29

How Editors Greg Ng and Graham Fortin Shaped the Gory Gags at the Heart Of Oz Perkins’ The Monkey

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Joseph Mastel 2025-10-28 Joseph Mastel 2025-10-28

Designing Dystopia: Production Designer Nicolas Lepage on Building the World of The Long Walk

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Joseph Mastel 2025-10-27 Joseph Mastel 2025-10-27

Editor Sabrina Pitre on Balancing Horror and Humour in Eli Craig’s Clown in a Cornfield

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Kenn Enns 2025-10-25 Kenn Enns 2025-10-25

Chris Stuckmann Explores The Horror of the Early Internet in His Debut Feature Shelby Oaks

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Flora Bews 2025-10-23 Flora Bews 2025-10-23

Deathstalker Reboots with Gooey Charm But Gentle Jabs: Deathstalker Film Review

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Joseph Mastel 2025-10-22 Joseph Mastel 2025-10-22

Filmmakers Marina Tempelsman and Niccolo Aeed Talk Family, Therapy, and the Emotional Chaos of Their Debut this Will Never Work

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