Sister Ray’s Believer uses a light touch to carry weighty words

A defined sense of space serves to highlight Ella Coyes' richly textured vocal performance throughout Believer, the latest album by Sister Ray. Grounded, but sharply focused songwriting recall the small details that define fleeting moments, and mine depth out of considered takes on family, identity, and chance encounters. It's a unified approach that sets the stage for an improved, more natural take on the music that made Sister Ray's debut album compelling.

Believer benefits from a clear musical direction, taking inspiration from both alternative singer-songwriters and the weathered sound of Americana. Songs find a through line between veteran performers like Shawn Colvin and Lucinda Williams, illuminated by Ella's captivating vocal tone. Sister Ray moves at their own pace, playing loosely, yet with focus and refinement. Layers of guitar are met with airy accents that sound as blurred as the album cover looks. For as much as the album cover abstracts Ella however, their songs are crystal clear and vivid, using a light touch to carry weighty words. 

Owing to the album's organic sound is Jon Nellen, who returns as producer and creates a lived-in sound that balances foundational approaches with an ethereal shroud. Recorded in Brooklyn, Ella and Jon are joined by a number of venerable guests including the expressive tone of saxophonist Isaiah Barr, as well as guitar innovator, Marc Ribot, whose sound is fully intertwined with rest of the band. This is true of everyone that plays on Believer. They sound fully dedicated to Ella's vision for these songs and the album excels as a result.

Sister Ray follow up an already excellent debut with an album more assured, spacious, and intimate. Believer takes immediate shape thanks to the band continually elevating Ella Coyes' emotional lyrics to new heights. It is an excellent listen and an impressive sophomore statement.